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Judith Hanson Lasater on The Art of Yoga: Making Every Movement an Asana

In this interview with Judith Hanson Lasater, a longtime Iyengar Yoga teacher, Eva Norlyk Smith of Yoga U Online discusses the recent debate on yoga injuries and the challenges and opportunities created by the growing popularity of yoga. The entire interview is available as a free download on Yoga U Online.

Also, check out Judith's upcoming webinar:
Teaching Yoga to Beginners

Eva Norlyk Smith: As we know, there has been a lot of debate about yoga injuries over the last month. When you look at the actual rate of yoga injuries, it’s actually comparatively low—yoga, for example, has about one tenth the injury rate of golf. So, what is your take? Do we have an epidemic of yoga injuries in this country or is this all a tempest in a teacup?

Judith Hanson Lasater: I think it’s a little more complicated than that. There is likely some increase in yoga injuries, because there are just so many people practicing yoga now. You can say that the more people driving cars, the more car accidents there will be. But the amount of serious injuries that happen with yoga are so low compared to virtually every other physical activity that I’ve ever seen the statistics for.

There’s risk in all physical activities, of course. Getting out of bed and walking to the bathroom at night, you can get hurt. So there is always going to be some risk.

That being said, I think it’s very, very important in this discussion to be aware of how much more training we all need to have as yoga teachers. It’s one thing to practice on your own, but it’s another thing to, in a way, practice on other people. While asana is just a small part of yoga, I think it behooves us as teachers to take the chiding that has recently come forth about our profession and see what we can learn from that and how we can raise the training level of our profession so that we train people in a number of specific areas, which will, by their very nature, keep people safe.

Eva Norlyk Smith: That’s a beautiful point, particularly in view of the aging population and the growing number of baby boomers flocking to yoga. But before we get into that discussion, I’m just curious, has the way yoga is taught changed over the 30-40 years? And if so, how has it evolved over time?

Judith Hanson Lasater: When I began teaching in 1971, yoga was still rather unusual and the approach was different than most classes are now. It was much more integrated, the asana with the breathing, the mediation, the chanting – all the aspects of the practice were there, and there wasn’t such an emphasis on asana. In addition, we often would practice a pose and then rest in between each pose. There was a lot more emphasis on how it felt. And because there were no teacher training programs outside of a few isolated ashrams in the US, the way most people taught was very simple. If someone had pain or difficulty, we just said, “Don’t do it.” That, in and of itself, was protective. The rooms tended to be darkened. We wore loose yoga clothes. The whole emphasis was on letting go, relaxing, slowing down, cooling down.

Now, there are more styles of yoga readily available to the average person. And some of them as we know are quite vigorous and of course, there’s nothing wrong with that. But the key is matching the person to the style. That’s the number one key. Obviously, a 25 year-old gymnast in good shape will have the ability to do more things physically. If not, you have to know your own limits.

Secondly, we need to be aware that our needs might change from decade to decade, year to year, even from day to day. Like today, you might feel really tired. And so, you might want to do a quiet practice. And tomorrow, you might feel very vigorous and you might want to do a more active practice. So to me, we’re not training our students to be more selective in the style that they study and making sure that that suits them.

The other thing that happens is that many yoga teachers are leading yoga classes instead of teaching them. The belief seems to be to work people out, to put them through the paces. And when you have an attitude like that, no matter who walks into the class, they’re all getting exactly the same thing. And that’s not always appropriate.

I like to think of a yoga class as, yes, in part giving people an experience of the practice. But additionally, I think it’s very important that classes teach people how to practice, so they are aware of basic safety ideas, as well as how to sequence poses, how to pace themselves, how to use the breath, and how to be aware of any signs that their body is giving them to do less. I like to say to my students, “I want to teach you in such a way that you can go to any class in any system and keep yourself safe. And I think that’s one place where we are falling down as teachers. We’re not training our students how to practice.

To me, an experienced practitioner is one who has his or her own home practice and only comes to class as a way to refine or get fresh info or be inspired. But increasingly, people don’t have a home practice, they go to a lot of different yoga teachers, depending on what is convenient and nearby, just to get the workout. So they are not incorporating what they learned in class on their own mat at home, and from there understanding and filtering what works best for them.

Eva Norlyk Smith: Yes, even if people have practiced for a number of years, you can’t assume that they have been taught to increase body awareness and tune into the body, which is probably the most protective skill to have when it comes to avoiding injuries in any kind of activity.

Judith Hanson Lasater: Yes, and I also have a different time line perspective. To be an intermediate or more advanced student, you need to have a home practice almost every day of the week. A beginner is someone, no matter how proficient, who just comes once a week or twice a week to a class and hasn’t incorporated it into their own home practice. So I have a much longer term view of this as a serious practice.

You can make an analogy to playing a musical instrument. When you have your lesson, that’s not your practice, that’s your lesson. The work is when you leave your lesson, you go home. And the next day, what do you do the next day? Do you practice what you learned? Do you try the new techniques? Do you make the corrections that were suggested? Do you pay attention? That’s when you really learn, when you make it your own. And that only comes from a willingness to commit to your home practice.

Eva Norlyk Smith: Good point. Now, increasingly, many new people coming to yoga studios are not just young, fit people 20 to 30 year-olds, but people in their 40’s and 50’s who have more physical limitations and may also be more injury-prone. It’s a trend that would appear to create some wonderful opportunities for yoga teaching as a profession, and also tremendous challenges. It often makes me wonder if the original standards for yoga teaching, i.e. the 200-hour basic yoga training, are sufficient to give teachers the knowledge and skills they need to deal with the kind of challenges that yoga teachers are facing today.

Judith Hanson Lasater: Yes, there are so many factors to be taken into account when teaching yoga. I think we need to look towards creating perhaps the equivalent of a Bachelor of Science degree in this training at some point in the future. Understanding anatomy and knowing that the thigh bone is called a femur is not enough, teachers

 increasingly need to understand how the body works: What is the normal range of motion of the hip joint? What are the normal movements of the shoulder joint? What would I see in someone who didn’t have that? What would those symptoms look like and what should I do in a case like that?

So there’s understanding the anatomical and kinesiological foundations.  And then there’s a huge piece of the student-teacher relationship: How do I deal with a student who won’t limit themselves and throws themselves into everything? How do I deal with a student who doesn’t want to try anything new? How do I speak to a student in a way that both inspires and perhaps invites them to step a little bit out of their comfort zone, while doing it in such a way that they feel safe choosing that themselves? This is a really big distinction.

So an important part of the student-teacher relationship is about understanding the interpersonal dynamics and understanding who you’re teaching. You’re not teaching a class. You’re teaching a human being. And understanding how to speak to them with their language, how to touch them with respect after asking permission, and how to use your touch and your words to encourage them to grow at their own speed, those are key skills of a yoga teacher.

So it’s not about pushing students physically. It’s about reflecting back to students where they’re holding on mentally, and encourage them to let go of some of those mental limitations that may or may not have a physical expression—if and when they feel ready. It’s more important to me that we help people understand that they’re prisoners of their thoughts, not of their hamstrings.

Many wise teachers have told us that we are the prisoners of our thoughts, and to help people live a full, rich, and happy life, free from the mercy of your thoughts and beliefs—that, to me, is our job as teachers. The way I actually say this to the teachers I train is, “The job of a yoga teacher is to reflect back the inherent radiance and inner goodness of each person.” And of course, the only way you can do that is to find it in yourself.

That’s what we’re really doing on the mat. That doesn’t have anything to do with dog pose. Dog pose is fun. Dog pose is a technique that slows us down. It’s like a speed bump that slows us down so we can become aware of how we’re holding, how we’re resisting, how we’re breathing. And those skills, those skills which come from the residue of awareness, are life skills that we can carry with us everywhere, until our whole world becomes our yoga mat, every moment becomes an asana. Because every moment, we’re aware of what thoughts are ruling us, what position we’ve been holding too long, what misalignment in our back we’re maintaining, because we’re tense or we’re stressed. And that, to me, is what we as yoga teachers are about. And the asana is really not the yoga. It is the residue the asana leaves in our minds and bodies and hearts that is the yoga.

So if we teach from that perspective, we teach with kindness. We teach with respect. We teach with empathy. And when you have kindness, respect, and empathy, there’s another word for that which is compassion.

Listen to Judith's entire interview on Yoga U Online.

Check Out our Latest Huff Post Blog: Yoga, Rolfing and the Elusive Cinderella Tissues

Everything you ever learned about anatomy may be wrong. We are not muscles and bones linked together by ligaments and tendons. Rather, muscles and bones are components of a large, integrated fascial network, which up till recently has been largely ignored. 

This is a topic that Eva Norlyk Smith of Yoga U Online explores in a recent article that appeared in the Huffington Post.

So what exactly is fascia? Fascia is the most plentiful tissue in the body -- and it has been the most ignored. It is the gooey, gliding stuff that holds you together. Fascia is a broad term for the extracellular matrix of fibers, "glue" and water surrounding all your cells, and wrapping like plastic wrap around muscle fibers and muscles, organs, bones, blood vessels and nerves -- and finally as a second skin around your entire body.

"Fascia is like the Cinderella tissues of the body," says Tom Myers, a leading thinker in integrative anatomy and author of Anatomy Trains. "It has been the most ignored of all the tissues in the body -- at least up until recently. Yet, fascia is critical to understanding the body and what it takes to keep your body functional and healthy all life long."

Click here to read the complete article on Staying Fit: Yoga, Rolfing and the Elusive Cinderella Tissues.

Use It or Lose It – Yoga, Exercise and the Fountain of Youth

By Eva Norlyk Smith, Ph.D., RYT-500

Judith Hanson Lasater, in a recent teleclass on Yoga U Online Trainings commented, “People often ask me if it’s necessary to practice yoga every day. I tell them, no, not at all. Just practice whenever you want to feel good!"

Most of us relish our yoga practice exactly for that simple reason—it makes us feel good! But the long-term benefits of a regular yoga practice go far beyond that—and they are encapsulated, of course, in that worn-out adage: Use it or lose it!

You’ve heard that phrase many times. But to truly appreciate its significance, it's useful to take a look at where it derives from.

One of the early studies that alerted medical researchers to the importance of exercise for physical health was the so-called Dallas bed rest study, performed back in 1966. The researchers took a group of five healthy 20 year-old men, measured their cardiovascular fitness on a series of parameters, and then put them to bed for three weeks. The five 20 year-olds weren’t even allowed to go to the bathroom without using a wheel chair!

After three weeks, the men were measured again. At the time, what the researchers found was revolutionary: In just three weeks, all five had experienced a dramatic loss in cardiovascular health and exercise capacity on all parameters measured; the equivalent of about 1% loss of capacity per day of bed rest.

The five men were then put on an intensive aerobic training program, and within an eight-week period were able to regain, and in some cases, exceed, their previous level of physical fitness.

This was one of the original use-it-or-lose-it studies. It alerted medical professionals to the fact that prolonged bed rest might not be the best way to recover from surgery or other illnesses. And, it changed our understanding of the importance of movement and exercise forever.

But that’s not all. After 30 years, the researchers took another look at the aerobic and cardiovascular fitness levels of the original five men in the study, now 50 and 51 years old. What they found was truly astounding.

In terms of cardiovascular fitness and physical work capacity, the men had been more weakened after three weeks of bed rest 30 years earlier than the three decades of aging they had undergone since then!
 In other words, the completely sedentary lifestyle of bed rest had put them through a time machine, and caused them to age 30 years in terms of key cardiovascular health parameters in just three short weeks.

The men were then put on a six-month endurance training program, including walking, jogging and spinning. The intensity of their workout was gradually increased until they were exercising four or five times a week for a total of about 4-1/2 hours at the end of six months.

As the end of the six months, one hundred percent of the age-related decline in aerobic power among these five middle-aged men occurring over 30 years was reversed.

Obviously, the study has numerous limitations, in particular the fact that it was done one so few subjects. Nonetheless, it speaks volumes about the importance of physical activity to maintain and improve our functional capacity at all ages of life.

The study is a sobering reminder of the risks of a sedentary lifestyle. Even though few people are sedentary to the point of being virtually at bed rest, the general principle holds: Lack of exercise will lead to significant deterioration on numerous markers of health, including cardiovascular fitness.

The good news is that, just as a sedentary lifestyle will make you decades older than you really are, regular exercise can make you look and feel, literally, decades younger. And while the Dallas bed rest study and its follow-up studies focused primarily on cardiovascular health, other studies show similar results on other markers of healty aging, including muscle strength, flexibility, core strength, balance and coordination, and so on.

So the answer to the question: 'How often should I do yoga?" is both about how you want to feel in the short term—and how you want to feel in the long term. The Dallas bed rest study is another reminder that each time you hit your yoga mat, you don't just benefit your mental and emotional well-being in the present. You make a significant investment in your long-term, future health and well-being as well.

For more inspiration for your yoga practice from Judith Hanson Lasater, check out our Yoga U Download Library, which contains numerous wonderful talks in which Judith shares her insights and wisdom about how to deepen your yoga asanas practice and teaching.

 

To Heaven With It!

By Shakta Khalsa -

Two days at home in-between lots of travel, got to truck on up to my retreat in the Shenandoahs. The path on the 20 acres is fairly low on overgrowth now that we are coming into eye-popping fall colors, and that earthy dead leaf smell…..mmmm.  I wonder about that as I walk–good case for vegetarianism, I think.  Do we ever say “love that dead animal smell”?

So the hound is doing his hound thing—nose to the ground, off on his own private adventure that not even the shepherd can follow.  Anyway, she does the shepherd thing–remains loyally close to me, ever watchful, and then reprimands the hound when he returns, by grabbing his ankles in her mouth with a little growl.   He looks at me like, “make her stop.” But I don’t.  That is just the way of the shepherd, the same as his way is to take off for 10 minutes at a time.

He’s onto the trail of something, howling.  Hope he doesn’t go into the road or on the crabby neighbor’s property.  Hope he doesn’t go off for a long time, don’t want to worry about him.  Oh, to hell with it, I think.

Then the thought occurs, ”Well, that isn’t going to help– just dismissing the situation without working through my negativity and worry.  So how about ‘To HEAVEN with it’?”  Yeah, I can get behind that idea.  Give it to Heaven, give it to the Universe.  Let the Universe work it out.  Instant relief.  I’m back on the trail, literally and figuratively speaking. Noticing the lovely smell of the leaves, the colors filling my eyes. And here he comes, happy for the chase, and happy to be back.  And maybe even happy that the shepherd cares enough to bite his ankles.


I am reminded of a quote by Yogi Bhajan: ”Don’t you know that the Divine Intelligence that created this Universe and keeps all planets rotating in their orbits can take care of your routine?
 



Shakta has been practicing and teaching yoga for over three decades, having had the great fortune to study directly with Yogi Bhajan, Master of Kundalini Yoga. Yogi Bhajan recognized her as a teacher of children, and for many years had her answer inquiries he received about children’s yoga. Shakta is an IKYTA certified Kundalini Yoga instructor and teacher trainer, an AMS certified Montessori educator, and an E-RYT 500 with Yoga Alliance. For more info about Shakta, click here.



Touching the Mind – Connecting Sensations, Feelings, Thoughts and Movement Part 1


By Deane Juhan - 

We have been educated to think of language as spoken and written words, even educated to believe that no creatures but humans can properly be said to acquire and to use “language.” But organisms have been communicating among themselves and with their environment from the very beginnings of life, or life could never have succeeded and evolved.

With these thoughts in mind, then, I want to suggest some of the dimensions of the languages that our bodies speak.

In a recent class I had quoted one of my teachers, Milton Trager: “My work is directed towards reaching the mind of the client. Every contact, every move, every thought communicates how the tissue should feel when everything is right. The mind is the whole thing. That is all I am interested in.” The next day a participant raised her hand and asked, “What do you mean my reaching the mind?” The following is a summary of my attempt to answer her question.

The Language of the Connective Tissue Matrix

Just underneath the skin--in fact an integral part of it--begins the intimately interwoven web of our connective tissue. Once regarded as an inert, sort of nylon-like wrapping that divided our bones, muscles, organs, circulatory systems and neural pathways into separate functional entities, this web is now appreciated as an extraordinarily sensitive and energetic matrix that in fact connects all of our internal structures and processes, down to our innermost microscopic cellular interiors.

Far from being inert, our connective tissue matrix is a sensitive conductor of electromagnetic currents. And it is a conductor of a special class, called piezo-electric. “Piezo” is a Greek derivative, meaning in this usage “self-generating.” Every movement, every pressure, every distortion through movement, every vibration creates polarizations within this matrix, and between the polarities flow currents of electricity that surround and penetrate all six trillion living cells in our bodies, carrying not only energy but also information to their membranes and to their interiors that help to both fuel and to orchestrate many of their inner activities, and harmonize them with one another.

In these energetic and informational roles, our connective tissue matrix was the precursor to our nervous systems in both evolutionary and embryological development, animating and coordinating organisms before the first neurons arrived on the scene. And it continues to supply an exquisitely sensitive (responding to vibrations below neural thresholds of stimulation) and rapid (traveling at the speed of electron streams, not action potentials) source of vitality and organization both within us and between us.

The Language of Nerves and Muscles

Nerves and muscles share a common language in their communications and responses: the rhythms of action potentials that ripple along their membranes and orchestrate their collective activities. All these cells are tightly linked at many levels of our neuromuscular systems, and are constantly interacting with one another. It is impossible to experience a sensation, a feeling or a thought without stimulating a muscular reaction--large or small, conscious or unconscious. And it is equally impossible to experience a movement without changing the landscapes of our perceptions, our sensations, feelings and thoughts. No muscle can create any movement without neural stimulations, and no movement can occur without consequent changes in the stream of these stimulations. And further, all of these stimulations and movements are ultimately nothing less than the summary of the totality of all of our sixty trillion cells activities and their myriad and complex interactions--the activities of our entire landscape of perceptions and responses that are translated into our behaviors of all kinds and on all levels. “Mind” is vastly more extensive than “brain.” Mind involves the whole of our landscape, and all of the internal and external ecological processes that are fused into those mysteries and miracles that we call life and consciousness. We are moved by all levels of our feelings, ideas and beliefs, our current assessments, needs and intentions, and by all of the countless processes that underlie them.

These are the dimensions of the language of sensations, feelings, thoughts and movements in our lives. The vocabulary, grammar and syntax of this language are the stuff of all of our motor experience and development--all functional skills and all dysfunctional blocks, all successful adaptations and all persistent limitations, all habituated repetitions and all new possibilities. This is another domain into which we can enter and positively affect through our touch, if we can learn to speak its language.

To read part two, The Persistance of Memory and the Precipitation of Novelty, click here.

Excerpted from Deane Juhan: Reaching the Mind with Touch with permission of the author.


 


 



 

Age Is Not Pathology--Jane Fonda Rolls Up Curtain for Third Act

Looking and sounding far younger than her 74 years, Jane Fonda talks about the “third act” of life in this wonderful TED video.

In her speech at the recent TEDxWomen conference, Jane Fonda points out that in the last generation life expectancy has increased by 30 years—the equivalent of an entire second adulthood. Rejecting the idea of age as pathology or as a peak followed by inevitable decline, Fonda urges her audience to take make the most out of their third act by living with authenticity and wholeness.

Hip deep in her own third act and loving it, Fonda offers many insights into the opportunities for growth offered by these added years. By reflecting on the first two acts and deepening their understanding of the past a person can change their whole relationship with their past and thus, with themselves. This, Fonda says, is how wisdom is gained.


Robert Downey, Jr.'s New Hobby - Yoga!

Hollywood actor Robert Downey Jr., in addition to starring in movies like Tropic Thunder, Iron Man, and Sherlock Holmes, has recently been busy with another new hobby - yoga!

Robert Downey Jr., who hasn't always been on the spiritual path and has suffered from drugs and addiction, has recently discovered the balancing effects that yoga has on his mind and body, and he can't stop talking about it.

Downey Jr. credits his miraculous comeback to his yoga teacher, Vinnie Marino, who also overcame a battle with addiction to become one of LA's most prestigious yoga teachers.

Comeback kid Downey Jr. appeared on the cover of the January/February 2012 issue of Men's Fitness to talk about his yoga practice and was quoted in TIME magazine:

He’s fit, mellow and reflective after a morning of power-flow yoga with his teacher Vinnie Marino, part of what could be called Team New Downey, a large coterie that includes yogis, massage therapists, martial-arts instructors and people who know about herbs.

“I need a lot of support,” Downey says, “like Lance Armstrong. Life is really hard, and I don’t see some active benevolent force out there. I see it as basically a really cool survival game. You get on the right side of the tracks, and you now are actually working with what some people would call magic. It’s not. It’s just you’re not in the f___ing dark anymore, so you know how to get along a little better, you know?”

Iron man RDJ is not the first celebrity to find relief from an addiction through yoga practice. Stars like Mariel Hemingway and Marianne Faithful were among the first to speak out about using yoga to overcome addictions.

See also TV anchor Anita Lopez story of how 
yoga helped her battle depression and a pain killer addiction
.

What drives the transformative powers of yoga? Check out this interview with Anusara yoga founder John Friend in which he muses about The Radical Quantum Shift of Yoga.

 

 

The Century of the Body: Fascia, Yoga and the Medicine of the Future

The medicine of the future will have to focus on healing the epidemic of lifestyle-related diseases by changing behavior, says Tom Myers, author of Anatomy Trains in this interview with Yoga U Online.


Yoga, bodywork and other therapies that tap into the transformative potential of the body’s fascial network have an important role to play in this process. In this interview with Yoga U Online, Tom explores the transformative potential of the body’s fascial network and its implications for the future of yoga and yoga therapy. Also Check out Tom Myers' upcoming webinar on


Fascial Fitness—An Emerging Evolution in Movement Science 


Yoga U Online: Tom, you trained with Ida Rolf, the founder of Structural Integration, before developing the notion of the anatomy of connections. How did you get interested in this area?


Tom Myers: Well, Ida Rolf was giving a demonstration in Santa Monica, close to where I lived. I went there with a friend of mine, and as it happened, Ida chose my friend as a model to work on. He was one of these people, who looks normal when you look at them from the front, but when you look at them from the side, you can hardly see him because his chest was collapsed so badly, his breast bone was nearly on his back.


In 45 minutes, Ida Rolf took a hold of his ribcage and changed its shape so that he was visibly deeper from front to back. His voice changed. Even his emotional affect changed. He became, if you will, a deeper person. I was so impressed at the level of change that this woman could generate in a short time that I thought, “Hmm, I really want to do this.”


yoga and fascial fitnessYoga U Online: Ida Rolf developed her work in part inspired by yoga, is that correct?


Tom Myers:  Yes, she started studying yoga in the 20’s in New York with a kinda rogue tantric guy named Pierre Bernard. She studied yoga for many years. At the time, yoga was totally unheard of in the States. So she never thought that there would be the kind of resurgence of yoga in the West the way there has been.


When she created Rolfing, she was asking, “How do I create a yogic experience in a western way?” Rolfing or Structural Integration was aligned with the goals of yoga as “a physical system that enriches the student’s body, mind and spiritual well-being through an understanding of structural balance.”


When Ida first started working with people, she started putting them into yoga positions and looked at where they weren’t stretching properly. She would then grab the tissue and start stretching it. Later, as she got in contact with osteopathy, it evolved into table work. But it was still trying to get that experience of yoga, still trying to get that fundamental thing of Hatha yoga which is, if you change the body, you can change the person.


That’s not an idea that we’ve really gone with in the West. We mostly thought, “Oh, well, if you change your mind, you could change your body.” We think of it in terms of stress; you have to reduce the stress in your mind, and then you can reduce the stress in your body. However, we all know now that if you reduce the stress in your body, you will reduce the stress in your mind as well.


So the theme in my approach to body work over these past 30 years has been to do just that – reduce the amount of structural or gravitational or oppositional stress that was going on in the body, so that the person could be more themselves.


Yoga U Online: Part of your work has been to draw attention to the all-important, but much overlooked role played by fascia in the human body. What is the role of fascia in this picture?


Tom Myers: Fascia is that network that connects it all together. We are made up of somewhere between 70 to 100 trillion cells. That’s 70 trillion cells acting together. Most of your cells are little packets of water, like little water balloons. Something has to hold all those 70 trillion cells together. That’s the fascia.


Fascia—or connective tissue—is what glues us together. So, it’s a broad use of the word fascia. What we’re really talking about is the body-wide extracellular net that holds us together.


Yoga U Online: Yet, as it is turning out, fascia is more than just the ‘wrapping’ of the body?


Tom Myers: Yes, what’s really exciting is the new research on fascia that’s coming out.  Up till recently, everybody was thinking of fascia as just the packing material that goes around the other tissues. Now, we’re finding out that it’s a regulatory system in the same way that your circulatory system is a regulatory system and your nervous system is the regulatory organ balancing your inside and your outside world


The fascial system is also a regulatory system. It has an organizational dimension that keeps us in the shape that we’re in. It’s that role that’s being explored now, which is really exciting.


Yoga U Online: Fascia is often referred to as the ‘organ of form.’ Does it play a wider role as a regulatory system than that?


Tom Myers:Yes, it’s the organ of form, but it goes far beyond that.  In the development of the embryo, it’s actually the connective tissue cells that are organizing the brain. The brain cells of the neo-cortex are originally born in the ventricles in the middle of the brain. And they have to migrate out to the surface of the brain. That’s not very far in a little tiny little embryo, but it’s incredibly long, as far as the cell is concerned.


So how do the cells which get born in the middle of the brain know where to go on the surface of the brain? The answer is that they put their little ‘arms’ around a connective tissue fiber and ride that connective tissue fiber out to the surface of the brain and are deposited in just the right spot.


The same thing holds for organs. The fascial bags for organs develop before the organ develops. So there’s a bag for your liver. And then the cells that are going into that bag become liver cells.


Yoga U Online: Fascia also seems to be linked to the potential for mind-body transformation in a major way. You referred to your friend who was transformed when Ida Rolf worked on him; you said not only his posture and the way he appeared changed, but he himself was transformed.


Tom Myers: Yes. I’ve seen that again and again in my practice. You make these changes and the person changes. The nervous system, the circulatory system, and the fascial system are never separate in a human being. They develop together and they work together. So when the fascial system changes, everything else changes.


For example, think of someone who’s depressed. The image that comes to mind is somebody with their chest collapsed—you certainly don’t think of someone with their head held high and their chest stuck out.


So you can approach depression from a neurological point of view, and look for things in their past that contribute to their feeling of depression. You can approach it from a chemical point of view, and say that serotonin reuptake inhibitors like Prozac or Zoloft might be helpful, because there’s a chemical effect, when someone is depressed.


But depression also has a fascial effect as well. It also is expresses as a specific look and shape of the body. You really don’t see people with their chest puffed out going around saying, “I’m so depressed.”


So we’ve gone after the talk therapy solutions to depression, and we have more recently gone after the chemical reactions to depression. But I think we really ought to be looking at how people hold themselves and how they shape themselves.


That relates to what we talked about before, fascia as the organ of form. We have to change the connective tissue, change things at that level. And that in turn changes people’s breathing, and when their breathing changes, their chemistry changes and their outlook changes.


So, again, people have been paying a lot of attention to the chemistry and neurology of conditions like depression, and not much attention to shape. But shape is hugely important, and that’s where yoga and bodywork really shine.


Yoga U Online: What are the implications for health professionals and movement teachers of looking at the body as a functional whole, rather than as an assembly of muscles, bones, organs and biochemicals?


Tom Myers: We’re really just looking at the very beginning of the potential offered by body work, yoga, Rolfing, osteopathy, and so on—all these body therapies contributing to this realm.. This next century is going to be the century of the body, because this is the century in which we need to learn to change behavior.


We need to learn how to get people to change behavior, because so many of the big diseases are all lifestyle-related. At the heart of big, epidemic conditions like heart disease and diabetes really are behavioral, lifestyle issues. These are conditions where people need to change their habits more than they need to take the medicine. There’s plenty of medicine on the market but that’s not really solving the problem. That’s just pushing back the symptoms.


Medicine is great at changing chemistry, but it is lousy at changing behavior. And bodyworkers movement therapists, and yoga teachers may not administer things through the mouth or through needles—but we’re wonderful at changing behavior! We have to get better at it. But this is basically our realm: How to change behavior or to change movement, which is behavior.


We’re just starting to really examine this potential now. Yoga was very small until quite recently. Pilates was very small until quite recently. And bodywork was quite limited until very recently. Going forward, I think we will see these unite into a very powerful combination of manual therapy and movement, where everybody is speaking one language.


On that note, to get yoga the seat at the table that it deserves, yoga teachers need to learn the language of anatomy. If yoga people are just talking about energy and how everything is connected, then they really won’t get a seat at the table, because anatomy is the language that everybody speaks. And I’m talking about bringing orthopedists and physiotherapists and athletic trainers and yoga people and body workers all to the same table and developing something that is very strong and very powerful.


And I think yoga has a lot to say about that. So I’m really hoping that yoga will improve its training standards and improve its ability to talk its walk so that the value that yoga has will make it into this new science.


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Fascial Fitness—An Emerging Evolution in Movement Science 

Icicles and Gratitude by Shakta Kaur Khalsa

Shakta Khalsa has been practicing and teaching yoga for over 35 years. She is a trained yoga professional at the highest level (ERYT-500), and was named one of the top five Kundalini Yoga teachers in the world by Yoga Journal. Shakta’s specialties are women and children’s yoga. She is the author of five well-known yoga books, including the classic Fly Like A Butterfly: Yoga for Children and Yoga for Women

The last day I was at my self-initiated (not so silent) retreat at Springwater Center, I awoke in time to practice yoga in the dark. Enfolded in blankets in a comfy recliner, I sat in meditation as the light began to bring on the day. The day started with a great wind that danced the tops of the trees and feathery tassels of the tall grass. This wind was the envoy for the imminent snowfall that, from my vantage point, was almost imperceptible at first, looking more like haze or mist. Then as the grey-white day dawned, the winter sky poured down heavy flakes of lively snow.

Leaving my cozy spot, I bundled up and walked into the swirling scene. I laughed as I felt exactly as though I was inside a “snow globe” and a very large hand was shaking it vigorously. Delightful! I felt that I had to get out there and walk—to experience the wind, the rain of snow, the beauty of the fern-like trees, their delicate green cloaked in a thin layer of white. And most of all, I had to get to my “spot”.

My spot is what I think of as the waterfall. There is a bench and even a foot rest (how thoughtful!). Of course I know it is not “my” spot—first of all it belongs to no one but itself, and secondly it is most likely a special spot for countless others…. friends unknown and known.

In any case, I had started coming to this spot because I felt enlivened by the rushing water—its sound and sight. The first day I had been awed by the icicles growing around the rushing water, imagining that at some point there would be so many that the waterfall would be frozen silent. But the next day I came, there were less icicles. As I was pondering this, another piece broke off as the force of the water rushed over it, and it noisily crashed its way downstream until it melted completely somewhere along the way and merged with the forward press of the stream. I loved the image of the ice building up and breaking down. Even more appealing was the thought that as the temperature dropped and remained cold, the ice would conquer and bring the whole scene to a fantastically beautiful still life portrait–at least until early spring.

And so, brushing aside snow enough for my bottom to fit on the bench, I set myself for meditation. I have been practicing a meditation for some time now that is fairly strenuous and quite powerful in its effects. The position has the arms straight out from the shoulders, with one hand flat on top of the other, palms facing upward. It uses what is called the “root” mantra, which describes the qualities of beingness in the Gurmuki language, derived from Sanskrit. The driving sound of the rushing water accompanied the energy of the mantra perfectly. This I had discovered on my first day at Springwater, and I had returned each day for the same delight.

After the meditation, and knowing it would be my last for a while at this special spot, I spontaneously put my hands together in a salute to the stream, slowly turning to honor the land all around me. I bowed to the stream—the dynamo of energy, the beauty of the ice, to the peace of the snow, to the shelter and loveliness of the trees– the detail and bareness of the branches layered with the friendly greenness of the firs. I felt a gratitude for the existence of this place, for all amazing places of the earth, and for my own existence to be able to appreciate it all.

In this release of gratitude I remembered my teacher’s words: “An attitude of gratitude perpetuates the flow of prosperity.” To me, prosperity means the movement of creativity into abundance—for one’s self, yes, and for everyone else. At that moment of presence I experienced a feeling in my heart. It was as if my heart warmed up and smiled at me. I began to sing to the trees and snow. I sang my little children songs–songs that emerge spontaneously from the child in me. I sang the wise and innocent songs that would someday be recorded with professional musicians instead of this one lone voice in the silence of the snow-draped forest. But the beauty, the blessedness, of those little songs in this sacred land would stay with me, and I know that I can be in the same space while singing in a recording studio as well.

The gratitude wrapped around the songs, knowing they would find their way into homes where children need a friend to help them remember who they are, where adults can catch the melody of innocence and remember as well. That knowing causes my heart to smile even bigger.

Being or becoming? How can these fit together? Do they fit or are they mutually exclusive? There were my questions upon arriving at Springwater. A piece of that puzzle came together for me here. There is a knowing that by purely being I know how to become. Living life as it comes, moment to moment allows my inspiration to flow, my passion to have integrity, my heart to smile.

Ringing in 2012: The Great Bell Chant

This lovely video heralds in the New Year paying homage to our beautiful planet and all the wonderful beings sharing it.

The Great Bell Chant (The End of Suffering) from R Smittenaar on Vimeo.

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