Simplify Your Yoga Cues to Increase Their Power

My original yoga “parentage” was in the Iyengar system. Known for its precision, and for inventing the yoga props we use today, the Iyengar system provides a fine foundation. In workshops, teachers—including B.K.S. Iyengar and his daughter, Geeta, who I studied with in 1989—offered alignment cues about as fast as you could process them, sometimes faster. As a hypermobile person, I often flopped into flexibility-focused asanas without much thought as to how I was practicing them. Iyengar-based yoga cues helped me refine my practice so that I wasn’t simply continuing my unhealthy alignment habits.
But sometimes, when I’d attend traditional Iyengar workshops, I’d leave with an agitated nervous system. I’m guessing this is because the speed with which alignment cues were disseminated made it difficult for me to integrate them all. While rapid-fire cues can feel energizing to some, my system runs a bit “cooler” and slower. There simply wasn’t time for me to process cues, feel them in my body, and make adjustments based on what my body told me. This teaching method sometimes made me feel pressured to perform and sometimes put me on edge.
I’ve since branched out to study with many other master teachers, most notably Donna Farhi and Judith Hanson Lasater. Both studied in the Iyengar system decades ago and have since forged their own paths. Both still consider healthy alignment important, but their ideas about alignment and the way they communicate them have evolved over the years.
SIMPLIFYING YOGA CUES
Both Donna and Judith build their classes around a few principles and allow time for individual exploration. This way of presenting information is more effective, at least for me.
It’s a methodology I’ve adopted in my own teaching. This is because I believe that our own experience in our practice is ultimately our best teacher. Giving students time—and silence—to explore for themselves gives students more agency. It allows them to figure out what’s best for their bodies and minds at a given time. After all, I can’t possibly know what’s best for another person.
A FEW IDEAS FOR SIMPLIFYING YOUR CUES
This list is by no means exhaustive. I’m sure that people reading this will have ideas of their own that can help teachers cue more effectively. Here are a few ways that have worked for me:
- Identify an anatomical focus for your class. This can be anything—whatever is alive for you at the time. For example, you could organize a class around alignment for a particular area of the body, say, the pelvis or the shoulders. Then, remind students to give attention to what they’re feeling in those areas as you progress through your sequence. Spending an entire practice on awareness of a particular area of the body gives students more time to integrate—and remember!—what they’ve learned.
- Cue students on how to move into poses, and then let them marinate in their experience. My Iyengar training taught me the importance of cueing students as they move into their asanas. I find it effective to cue alignment while they’re entering a pose. After that, I might make a few suggestions for where they might want to direct their awareness, but I also give ample time for silence while their bodies unfold into each asana.
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Reprinted with permission from Charlotte Bell/Hugger Mugger Yoga Products

Charlotte Bell began practicing yoga in 1982 and began teaching in 1986. She was certified by B.K.S. Iyengar in 1989 following a trip to Pune. In 1986, she began practicing Insight Meditation with her mentors Pujari and Abhilasha Keays. Her asana classes blend mindfulness with physical movement. Charlotte writes a column for Catalyst Magazine and serves as editor for Yoga U Online. She is the author of two books: Mindful Yoga, Mindful Life, and Yoga for Meditators, both published by Rodmell Press. She also edits Hugger Mugger Yoga Products’ blog and is a founding board member for GreenTREE Yoga, a non-profit that brings yoga to underserved populations. A lifelong musician, she plays oboe and English horn in the Salt Lake Symphony and the folk sextet Red Rock Rondo whose 2010 PBS music special won two Emmys.
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