Balancing Act: Warrior III with Yoga Blocks

Years ago, I remember a senior Iyengar teacher telling workshop participants that she’d abandoned teaching Warrior III Pose (Virabhadrasana III). “It’s just too hard for too many people,” she said. It’s true that it’s a challenging pose. Leg and core strength can be formidable obstacles. But the most challenging aspect is balancing.

The pose is disorienting, partly because your torso is horizontal rather than vertical. Our vestibular system, the apparatus in the inner ear that gives our brain information about motion, head position, and spatial orientation, is unfamiliar in Warrior III Pose. The pose challenges what your body knows about its position in space.

The same is true in Half Moon Pose (Ardha Chandrasana). In the latter, even though you’re maintaining two points of contact (hand and foot), the pose is often more difficult for practitioners than Vrksasana (Tree Pose). That’s partly because the head is not upright.

In the effort to find balance in this unfamiliar orientation, we often abandon our attention to alignment. (Fear of falling is a powerful motivator.) As a result, misaligning our bodies over the standing leg contributes to further balancing challenges.

Yoga Blocks To The Rescue In Warrior III Pose

Woman yoga student working out with yoga blocks on yoga mat indoor.

In Ardha Chandrasana, I have balance-challenged students practice with their backs against a wall. This gives them the freedom to explore alignment without worrying about losing balance. In Warrior III Pose, placing blocks under your hands does the same thing. It gives your body two extra points of contact.

When you feel stable in Warrior III Pose, you can tune into more subtle cues from your body. How are you distributing the weight on your standing foot? How is your pelvis oriented in relation to the floor? What’s the angle of your torso?

Even if you’re not struggling to balance, using blocks in this way can be a great teaching tool in your home practice. Finding your most stable alignment is much easier when you’re not worrying about falling.

How tp practice challenging poses like Ardha Chandrasana and Warrior lll with the support of yoga blocks.

Why Practice Warrior III Pose?

If this pose is so challenging, why even practice it? Here are some benefits:

  • Strengthens the muscles that protect your hip joints, as well as the small stabilizing muscles of the feet and ankles.
  • Strengthens the core—the back and abdominal muscles.
  • Improves balance. When you challenge your balance, you also strengthen your ability to balance.
  • Improves body awareness as you learn to adjust your own position in space. Challenging your vestibular system strengthens it.

How to practice Triangle Pose with the support of yoga blocks.

Unlike many physical practices where your body stays upright, yoga is unique in its ability to challenge your vestibular system. Poses such as Standing Forward Bend (Uttanasana), Downward Facing Dog Pose (Adho Mukha Svanasana), Triangle Pose (Trikonasana), Warrior III, and of course, Headstand Pose (Sirsasana), and Shoulderstand Pose (Sarvangasana) put your head in different relationships to gravity. This helps to strengthen your proprioception and adds to your balancing skill.

How To Practice

  1. Stand in Mountain Pose (Tadasana) in the center of a yoga mat with your feet hip-width apart. Place two yoga blocks in their highest setting, about two feet in front of you, on the mat. Taller students may want to use two taller blocks or a chair seat. (I initially learned to enter Warrior III Pose from Warrior I Pose (Virabhadrasana I). But I feel that it’s easier to start in Tadasana because you don’t have to shift your weight forward onto your standing leg. You’re already where you need to be in relation to your standing leg.)Attractive happy young woman practicing yoga's Tadasana or Mountain Pose.
  2. Shift your weight onto your right leg. Then lift your left leg up behind you, allowing your torso to bend forward.
  3. Once your torso is approximately parallel to the floor, place your hands on your blocks. You may need to move them closer or further away from your standing leg. Your arms should end up in a vertical position.
  4. Begin to play with your alignment. Here are a few things to think about:
  5. Check your hyoid bone. In other words, keep your head in a neutral position. Throwing your head back disengages your core muscles. Lengthen the distance between your shoulders and your occiput (the base of your skull).
  6. Check your pelvic position. Since your standing hip joint is flexed and the top leg is extended, you need not try to “square” your hips. The hip of the back leg can be a little higher than the other one.Warrior lll Pose practiced with blocks for greater accessibility,
  7. Are you standing squarely over your standing leg? Notice if your standing hip is pushing out to the side. If so, realign it over your foot.
  8. Is your back leg sagging down? If so, lift it up to engage your glutes.
  9. Take 5 to 7 deep breaths in the pose, or more if you feel stable and relaxed.
  10. Lift your torso back to upright, returning to Tadasana. Take a moment to tune into your body. Feel your feet on the floor. How does the sensation in your legs differ from side to side? How’s your breathing?
  11. Repeat on the other side.
Reprinted with permission from Hugger Mugger Yoga Products/Charlotte Bell.  
Charlotte Bell writer

Charlotte Bell began practicing yoga in 1982 and began teaching in 1986. She was certified by B.K.S. Iyengar in 1989 following a trip to Pune. In 1986, she began practicing Insight Meditation with her mentors Pujari and Abhilasha Keays. Her asana classes blend mindfulness with physical movement. Charlotte writes a column for Catalyst Magazine and serves as editor for Yoga U Online. She is the author of two books: Mindful Yoga, Mindful Life, and Yoga for Meditators, both published by Rodmell Press. She also edits Hugger Mugger Yoga Products’ blog and is a founding board member for GreenTREE Yoga, a non-profit that brings yoga to underserved populations. A lifelong musician, she plays oboe and English horn in the Salt Lake Symphony and the folk sextet Red Rock Rondo whose 2010 PBS music special won two Emmys.

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